Sunday, December 11, 2005

Get a Life.

As sent by Lem, posted by K, and spread here.

For all ye who love life and learning, lend an ear here.


GET A LIFE
Jose Dalisay Jr., PhD
Address to the Graduating Class
UP Baguio, 23 April 2005



Former UP President (Francisco) Nemenzo - whom I was
privileged to serve - was frankly not too fond of the
phrase "iskolar ng bayan" to describe the UP student. We
are all, of course, scholars of the people in this
university, in the technical sense that our studies are
subsidized by the sweat of the poor, whose hopes we bear
upon our shoulders.

But the President's point was that scholarship remains a
distinction to be earned not merely by scoring well in an
entrance examination, but by adopting a lifelong attitude
of critical inquiry and rational judgment.

This, sadly, is something that many of us lose upon our
entry into the University and our immersion in its life -
not only its intellectual and academic life, but also its
social and professional life. The curiosity ends, the magic
fades, the writing dries up, and we retreat to a cocoon -
to a dimly lit room marked "Me & Myself" - there to spend
the rest of our career sulking over the next fellow's
promotion and so-and-so's research grant.

"Get a life" has been one of my lifelong mantras. I have
always believed that while a formal education is a
wonderful thing, what I call an active life - with all its
serendipitous detours and little accidents - is even
better. It is a cliché by now to say that there are many
things we can never learn in school - but for those of us
who are in school, it is even more important to remember
this.

Some of the best things happen when we step outside of our
own lives and begin to be engaged in those of others.
Often, the answers to our own problems lie in others, and
in their larger predicaments. While involvement in a great
cause can also create its own kind of blindness to
everything else, I believe that, at least once in our
lives, we should embrace a passion larger than ourselves;
even the disillusionment that often follows can be very
instructive, and will bring us one step closer to wisdom.

One of the best ideas I ever heard came from a friend whom
I used to play billiards with until the wee hours of the
morning: "Everyone," he said while cleaning up the balls on
the table, "should be entitled to make at least one big
mistake."

I would not have been the writer I became if I had chosen
the safe path and stayed where I was supposed to be. It
took me two years to finish my MFA, and only three to
finish my PhD. But before that, it took me 14 years to get
my AB.

At 12 - like your chancellor - I entered the Philippine
Science High School. As my parents never tired of telling
anyone who cared to listen (and even those who didn't), I
was the entrance-exam topnotcher of my batch, No. 1 of
about 6,000 examinees. However, what my parents didn't say
was that after my first year in Science High, I was going
to be kicked out - with a 1.0 in English and a 5.0 in Math.

What happened? Well, you might say that I got a life.
From the grade-school nerd who read two books a day in our
all-boys Catholic school, I suddenly discovered girls,
parties, and fun. What did I do? I used my 1.0 in English
to save my 5.0 in Math, by writing a letter of appeal that
began with "At the outset, let me say that I bear malice
toward none." I guess it worked, because they put me on
probation for a year, and I survived PSHS by the skin of my
teeth.

At 16, I entered UP as an industrial engineering major -
and promptly got a 5.0 in Math 17, for too many absences -
the bane of the arrogant Science High graduate, even the
perennial flunker like me who thought he already knew more
Math than he needed to know.

At 17, still a freshman, I quit college - over the tears of
my mother, whose fondest hope was for me to graduate from
UP just like she did. I wanted to join the revolution,
like many of my comrades; at the same time I was impatient
to get a job.

At 18, I was working as a newspaper reporter covering
hospital fires, US embassy rallies, suicide cases, factory
strikes, and typhoon relief operations.

I spent most of my 19th year in martial-law prison.

At 20, I was a husband and father.

At 26, I took my first foreign trip.

At 27, I learned how to drive - and went back to school.

At 30, I got my AB, and decided that what I wanted to do
was to write and teach for the rest of my life, so here I
am.

I have been shot at, imprisoned, and worst of all, rejected
by more crushes than I care to remember. Aside from my
abortive career in journalism, I once worked as a
cook-waiter-cashier-busboy-janitor, cutting 40 pounds of
pork and chicken every day before turning them into
someone's dinner.

Much earlier, I worked as a municipal employee, checking
the attendance of Metro Aides at seven in the morning, and
then I studied printmaking and sold my etchings cheaply by
the dozen in Ermita. Incidentally, it was at that
printmaking shop that I met my wife June, who's here with
me today, and for whose patience with my colorful moods I
am forever grateful.

Some of these events have found their way to my writing;
most of them have not and never will. I believe that
creative writing should generate its own excitement, beyond
whatever may have happened to the author in his or her own
life. But neither can I deny that my outlook has been
influenced by what I have seen out there, as bright, as
indelible, and as disturbing as fresh blood.

If we are to abide by the Phi Kappa Phi motto to "let the
love of learning rule humanity," we should first ourselves
be ruled by the love of learning - learning from books, and
learning beyond them.

On the other side of the equation, let me observe that
there is, today, a nascent but disturbing strain of
anti-intellectualism in Philippine politics and society.
The vulgar ___expression of this sentiment has taken the
form of the suggestion that we can dispense with brains and
education when it comes to our national leadership, because
they have done us no good, anyway.

It is easy to see how this perception came about, and how
its attractiveness derives from its being at least
partially true. Many of our people feel betrayed by their
best and brightest - the edukado, as we are called in our
barangays - because we are too easily bought out by the
powers that be. Marcos and Estrada had probably the best
Cabinets in our political history, well-stocked with
prestigious PhDs from places like Oxford and Stanford; but
in the end, even they could do nothing against their
President and his excesses.

For us UP graduates, the seductions of power will always be
there. Power and wealth are also very interesting games to
play, and few play them better than UP grads - the power
side more than the wealth, as I suspect that Ateneans and
La Sallites are better at making money than we are.

But even these can put you out of touch. I have friends in
Malacañang and Makati who seem to have lost all sense of
life, thought, and feeling on the street, beyond what their
own commissioned surveys tell them. Worse, they seem to
have lost touch with their old, honest, self-critical
selves. They forgot all about Sophocles and poetry and
mystery and music you can't buy at the record store.

To be a UP student, faculty member, and alumnus is to be
burdened but also ennobled by a unique mission - not just
the mission of serving the people, which is in itself not
unique, and which is also reflected, for example, in the
Atenean concept of being a "man for others." Rather, to my
mind, our mission is to lead and to be led by reason - by
independent, scientific, and secular reason, rather than by
politicians, priests, shamans, bankers, or generals.

You are UP because you can think and speak for yourselves,
by your own wits and on your own two feet, and you can do
so no matter what the rest of the people in the room may be
thinking. You are UP because no one can tell you to shut
up, if you have something sensible and vital to say. You
are UP because you dread not the poverty of material
comforts but the poverty of the mind. And you are UP
because you care about something as abstract and sometimes
as treacherous as the idea of "nation", even if it kills
you.

Sometimes, long after UP, we forget these things and become
just like everybody else; I certainly have. Even so, I
suspect that that forgetfulness is laced with guilt - the
guilt of knowing that you were, and could yet become,
somebody better. And you cannot even argue that you did
not know, because today, I just told you so.

Sunday, December 04, 2005

A Reason to be Glad.

Remember the Consultation last Wednesday?

As per Ma'am Edna May's instructions, I went up to Faculty Center Room 3080 at about 3:30 pm to consult with her and hear what she had to say about my work.

My adviser said it was so thick (by now, the thesis draft together with appendices is as thick as a Dong-A gel pen is tall) she could only skim through the first ringbound volume. O.O" Well, that's alright, considering the first bit is the real thesis.

She said it was good. She liked the narrative approach(perhaps she was referring to the Methodology; it was the only chapter where I used a narrative form), and she said it was honest. It was an honest presentation of the artists in the studies; show them as they are.

I'm glad she liked what I've done so far.

She also told me the next time we might meet again over the thesis would be around January. That's a lot of time.

In the meantiime, I'm to work on my play, revisions, polishing and all, and by Tuesday next week, I'm to slip the piece into her pigeon-hole and hope it's actually come out all better.

Ah, well.

Tuesday, November 29, 2005

Tomorrow.

Tomorrow, at 4:00 pm, either in Room 3080 or the Department, I am to consult with Ma'am Edna May and see how my thesis draft fares.

Here's hoping for the best.

Wednesday, November 23, 2005

What Sir Tony had to say.

Remember What happened last Monday?

Well, this morning at around 7:30 AM, I received a text message from Sir Tony Mabesa.

"Good job. U may . Get Draft 2day. Have some corrections n suggestions."

Sender:
Sir Tony Mabesa

Sent:
7:29:19 Am
Nov-23-2005


Oh. wow.

So, by 11:30am, I arrived at Sir Tony's place. Chien the Super Chow Chow trotted up to me at the gate, ruff-ruffed, and trotted away as the director's Butler waved him back into the sala and let me in.

Chien had by then settled and snuggled beside one of the sala seats nearest the door. Sir Tony was reading the day's newspaper. His baritone "good morning" had a brighter, lighter tone to it. A good omen.

The hefty draft, thesis, appendices and all, lay on the coffee table, a couple of yellow pad leaves pressed between the volumes. The yellow pad paper contained the suggestions and comments.

Sir Tony read them aloud. Yep, he basically hit me in all the right tingly places. Yes, it's a formal paper; not a feature article. Yes, I ought to be a bit "more dispassionate on the bit about the critics." Yes, i shouldn't be constantly prepending Sirs and Dr.s to each an every name in the study. and basically other technicalities that it would be wiser for me to pay attention to.

To Sir Tony, I am most grateful.

So basically, here I am, revising, re-encoding, will soon be printing in a few minutes time, and hieing off the thesis volume back to Blessings to re-ringbind. Tomorrow, I'm to come back here in the morning to deliver the whole rigmarole to the Department for Ma'am Edna May's perusal.

Wow.

here we go then.

Monday, November 21, 2005

Avengers, assemble!

... the first draft! (ngwek-ngwek, corny.)

Went back to the photocopy-shop Blessings inside the UP Shopping Center. My Appendix darlings (collected play manuscripts, reviews, biographical data, and the like) had all been nicely done, lightened, and re-sized. Now all that was needed was assembling the whole thing.

Oh, boy.

the whole thing was a few centimeters short of a dangkal(the length between the tips of an outstretched thumb and pinkie). It was so thick, the team at Blessings was absolutely sure it was impossible binding the whole thing in one piece. So, for sanity's sake, we divided the whole thing into four parts.

The four parts were still huge.

An hour later, I delivered the first draft (plus the VCD- and DVD-transferred interviews) to Sir Tony's house inside the University. I had learned through a call to him he wouldn't be home as he was in auditions. So, the butler and Chien the massive Chow-chow met me and recieved the copy. (er, that'd be the butler. Chien seemed too eager for a nightly stroll out on her own once the gate was open.)

So, there. *sigh of releif*

One down, two more to go.

Saturday, November 19, 2005

Eyahoooo!!!

Not fifteen minutes ago, I had keyed in the last period to my entire thesis.

Dear friends: my Chapter 5 (Conclusion and Recommendation) is finished.

My thesis' initial first draft is done.

Eyahooooo!!! or as some people would put it, w00t!

(psst... secret lang natin 'to, ha? I finshed the whole thing tonight so I wouldn't need to worry about anything for Harry Potter and the Goblet of Fire tomorrow. ^_^)


Well, that's that. So, hand it first to Sir Tony Mabesa, thesis proper, appedix and all, and wait for what he has to say. If he is what my grandmother says he is (and hey, I'm supposed to know the guy!), he'll probably go through it with a fine-toothed comb. suyod, kung baga.

Then after that, it's off to Ma'am Edna May Landicho with the supposed First Draft. (Or is that Second Draft already?)

Tapos, may Playwriting pa...

*sigh*

Oh well.

Wednesday, November 16, 2005

Finding's done.

Hello, everyone.

I am glad to announce that after a week of quasi-non-sleep, coffee, intstant pansit canton, and Cynthia Alexander, my Chapter 4 is finally all done!

Eyahoo!

Good, now to e-mail it to my Dad for proof-reading so he can print it out and show my grandmother what kalokohan I've been up to, and then I can




zzzzzzzzzzzzzngork

Friday, November 04, 2005

Sleep? What's that?

(5:30 am)

Let it not be said my wee hours of this morning were wasted.

I greeted the second of this November with oh, nothing much, just a detailed six- (or was it ten?)page Methodology, and two hours of seemingly non-existent sleep. Mama mercifully let me sleep just one hour more before she roused me to pay our respects to our dearly departed in Loyola. I can't thank her enough.

And today? Starting from 11:00am yesterday to 5:30am today, It's been a nerve-wrenching comparative study between four versions of In My Father's House and profile composition for all six artists well into cockcrow. Aside from the usual three square meals and small bits of candy to ensure my sugar fix ( and coax out of me a sorry excuse for a smile), I've currently been running on nothing but eight cups of hot water, three cups of ceylon tea, and about forty-one tracks of the Beatles.

John, George, Ringo, Paul,
Bring us to Heaven, one and all.
Ringo, Raul, George, and John,
Rest this tired head I lie on.


At times like these, All You Need Is Love, Penny Lane, and Yellow Submarine is a comfort.

No, I don't think I'll be catching any sleep tonight. Er, today. Um.

-------------------------


(12:00 nn)

Try to see it my way
Only time will tell if I am right or I am wrong
While you see it your way
There's a chance that we might fall apart before too long
We can work it out
We can work it out


And we did.

An obscene amount of non-sleep can do things to someone's brain. On the other hand, it's sometimes best to asess your work priorities before going ahead and doing it anyway.

Lesson learned.



Observe.

thickthesis2


Observe the estimated size and bulk of my thesis. If we do decide to include all the copies of the plays I've found, the interviews, and of course, thesis in question, the whole thing's gonna be this high. Observe, in reference, a regular-sized Dong-A gel pen.

It still wants a couple of thick, hearty chapters. Plus Reviews. Plus transcribed interviews. Plus DVDs of the Interviews. And the print out of this yours truly journal.

Oh. Wow.



One, Two, Three, Four
Can I have a little more?
Five, Six, Seven, Eight, Nine, Ten
I love you

A, B, C, D
Can I bring my friend to tea?
F, G, H I, J
I love you

(Pam param)
Sail The ship
(Pam param)
Chop the tree
(Pam param)
Skip the rope
(Pam param)
Look at me!

All together now!

(All together now)
All together now!
(All together now)
All together now!
(All together now)
All together now!
(All together now)
All together now!

Monday, October 31, 2005

Batteries not included.

Let's get this straight.

You're done with the first draft of your introduction, and your RRL (Review of Related Lit.), and you can't even get your Methodology straight?

What gives, man?

Er, well... today's not productive for me.

Not productive? More like too much TV. And Good God, your sleeping patterns are in-sane. No wonder your brain feels like it's gone through a blender and a beater.

Besides, Methodology shouldn't be too hard. Kwentuhan lang naman yan, right?

*Through gritted teeth* If you hadn't noticed, that is what makes me beat myself up, thank you very much.

*sigh, slaps forehead*

Nope, that's not gonna do you any good.

...

Alright. Re-think your strategy.

And for God's sakes, just do it.

Tuesday, October 18, 2005

See the baggy eyes.

Hello everyone.

After the birthday symptoms have finally worn off, I have finally begun serious work on my thesis, in the sense of turning it from proposal to thesis proper. Good.

Take note of time. also, take note of the fact that I cannot pull off the drunk driver's test, walking in a straight line. My knees are giving way with the sleepiness.

Yay.

Okay. Must... sleep... for... sanity...

Friday, October 14, 2005

... And we live on Avenue Q.

In a few more days, my life, as I know it, will soon enough come to a very quiet much awaited end.

That is, being 21.

For some strange reason, I get this feeling that... Do you ever get the feeling that for some strage reason, the cosmos is on it's painstakingly immovable route, just about ready to align and cause some great overwhelming occurence you can't control? Kind of like, you completely have no idea whether it'll do you a world of good or bad, but good God, you're going to face it head on, fists at the ready?

That's basically what it feels like now.

In a few more days, I shed my 21 title and scribble in a double double-digit in fresh-squeezed meta-ink. A new year in a hundred hours more or so.

Once again, Life cheerily comes up to me to ask me the question how I now understand is ebough to strike chaos in the hearts of men (and the eventual woman, and perhaps also in between).

Kamusta na?


I've had an swer ready and waiting for a question like this, tucked away in some unobtrusive corner of me. It's an answer I'm sure of, true, but I'm not sure Life would take it with any weight.

Well... I'm not sure.


Is it odd how I can say "I'm not sure" with such security? I suppose it's so because, well... I be pretentious with wisdom or sophistication or maturity. That would basically be lying and cheating myself. What good would come out of that?

I'm not really sure what's become of me. I can say that with the assuredness of being in one of Einstein's postulates: To someone riding on a vehicle moving close enough to the speed of light, time will seem to fly faster that to the stationary person watching the person on the vehicle. Lifetime Dilation.

But I do so enjoy the ride.

A few more things I am sure of. I cannot give enough gramercy for the blessings in my life that have come in all forms: people, situations, knowledge, wisdon, wealth.

There's so much more room to fill.

Tuesday, October 11, 2005

EEEEEYYAAAAAAAAAGH!!!!!

Two significant reasons to scream about:

- my interview transcripts are finally done! (Eeyaaaahoo!) Save for a few additional tail-ends to attach, technically I can finally start seriously taking notes.

and...

- the deadline for my firsrt draft is next wednesday. (EEEEEYAAAAAGH! as in ... ARAY KOOOOO!!!)

must.... get... hold.. of... self....



Someone please tell me why I can do this.

Saturday, October 01, 2005

DVD! DVD!

Good news, dear readers: I've finally managed to collate my video-interviews with our five playwrights into a DVD. Efficient, space-saving, high-tech. I think. ^_^ I'm glad to say the visual and audio quality is alright, or workable, at least. My fears were allayed scanning through a couple of interviews I'd feared the DVD assembler didn't capture in full or left one playwright's interview aurically mangled, but thank God, everything's fine.

I am so going to enjoy transcribing the interviews, yes I am. ^_^

Saturday, September 24, 2005

The Universal Thank You.

I am happy to report that the last of the interviews have been conducted in the quiet of Ma'am Elsa Coscolluela's hotel suite in Ortigas. It was... a very rich, very contemplative way to end the long anticipation. The long-distance calls, the air-mailing, the prayers were worth it.

Ma'am Elsa had a very warm smile that morning. And her flowers were lovely.

There are just some little things, little momments -- a warm smile, a kind gesture -- that tell you it was, and will be all worth it.

Thursday, September 22, 2005

Significant Linkage

Ang Mangkokolum.

Dahil astig 'to, p're.

Sunday, September 11, 2005

Long-overdue update.

Dear Readers, please turn your attemtions to the new disclaimer button down yonder sidebar. Click, read, understand, reperesent.

Thank you.


I find as I go along my study, I see my history unfold before me.

I gain a deeper understanding for things because of my work. I find as I go along, I gradually cultivate a snese of history, depth, and respect for things that were. And for that I am grateful.

I gain a deeper understanding of the people I study. I find I listen intensely to the poeple I interview. There's this new-found respect for these artists, their literature, their craft, and their very own stories. Each occassion and each experience is ... something precious. There is a new-found respect for things that were, and I am grateful for that.

I am happy to report that I have already done three interviews, and am about to embark on three more. All in the same month.

In some strange cosmic manner of Divine Providence, I find Papa and I do not need to take a boat ride to Bacolod for Ma'am Coscolluela. Praise God.

For all these, I am grateful. and may this good karma trickle on until the study's final frution.

Saturday, August 20, 2005

Interview the First.

This morning was the first of what I well beleive to be a long, enlightening, reavealing string of interviews.

At around 9:30am, I dropped by my dad's place to deliver the tripod and offer my backpack as additional inventory space. He would bring along and man the cam-corder, you see. In a few minutes, after a last check on our tools, we were off to the front of the Guerrero house.

The butterflies in my tummy were getting the better of me in the car.

We rushed up to the Guerrero, and said hi to Sir Alex. The audience for this morning's show were just about to enter the theater. My father calmly looked around for handy outlets and a spot with good lighting around the area; I scroured the place for two monobloc chairs. It was 10:00am; we knew Sir Floy could come right up those steps any momment then. any momment.

Fifteen minutes.
Any momment now.


Thirty minutes.
Konting hintay na lang, absolutely any minute now.

Thankfully, sir Manny happened by; he knew about today's interview, and what time it should have happened. He said hello, and asked what was happeneing so far. Soon as he learned, he fished his phone out of his sling bag and texted... er, something. a few minutes after, someone who introduced himself as Floy Quintos' highschool batchmate came up to us and asked if we were waiting for the same person. We came to know him as Sir Nick, and it looked like my Dad and he knew someone in common. Ah.

We both soon found out that Sir Floy had been stuck in a situation. He had just found himself inconvenienced of a driver, and said if he still found himself driver-less by 11am, he would hail himself a taxi.

So we waited some more.

Papa soon got the idea of having a veggie-pizza deleivered from Domino's to the Front of House. Why not? we were beginning to feel a little peckish, and some pizza never hurt anyone.

Mmm. Hot pizza. We both hadn't had pizza this good in a long time, and soon as it arrived, we fell on it with glee, munching to our heart's content in the Front of House. Let them watch, we were gonna have a big day ahead of us, soon as our quarry stepped up from the stairs.

After pizza, Papa took to the second floor AS corridors, looking for a suitable Arts Studies classroom to make sir Floy comfortable and block out the outside street noises for better audio. Thankfully, the janitress recognized Papa and let him use Room 221.

and sir Floy came up, in a slim black shirt, pants, black patent leather shoes, a studded leather belt, and brown-framed smoky shades. and a few apologies for his lateness on the side, but hey, the main thing's he's here, and that's what counts.

We three headed up to Room 221, and after a quick set-up, we began the interview. Sir Floy did work with Papa some time before, so I discovered, and mistook Papa for perhaps another friend of his who had planned to buy land up in Baguio.

Anyway.

The camerea rolled. The questions rolled. Theme for the interview? "There's no great shakes", Sir Floy would often say. Sir Tony and he were good friends, so there's no great shakes with how they worked. It was really a give-and-take thing; he's been around in theater long enough to understand and live that. When the play's concerned, with him it's always first to put his ego aside and do what's best for the play.

The interview was over in a quick fifteen minutes time.

He wasn't really a profile-person, in the sense that he didn't list or write down his achievements or so. And as his answeres reflect, he's not so much into details as he is for what works. Papa said the way he answers also reflects the way he thinks. I guess that's true for most people.

After a quick pack-up, Papa and I headed back to the car, and we both had sorbetes on the way out to PHILCOA. Truth is, Papa would have wanted to have fishballs by the college of Music, if only he didn't have so much work to do.

we contented ourselves with remeniscing old memories of picking me up from school at Grade two and three, crunching on our liquid-icecreamed waffle cones.

Thursday, August 18, 2005

Quick update...

... since my Dad will be wheeling into the UP Shopping Center's Parking to pick me up, drop me off somewhere in Ortigas, and speed off to a gig in Shangri-La.

So far, I've achieved several profiles of Isagani Cruz, Domingo Landicho, and Elsa Coscolluela. Wonder of wonders, I've stumbled across Cruz's Josephine. Four plays down, one to go.

Yes, I've passed by the Palanca Foundation, and picked up my Copy of de los Reyes' Daungan... Laot... Daungan/ Rehas sa Tubig That's why there's one last to go.

So far, Sir Floy is up on Saturday, and Sir Tony is up[ on Monday. And I'd best prepare either way. I'm stoked, and I'm nervous.

Best we keep our fingers crossed.

So far, I've gone rabvidly a-hunting for that last play, and I've been vaulted to and fro from DUP to the Department and vice-versa. Well, not really vaulted, just passed. Sir Manny says, "go check the Department.", and Ma'am Edna says, "do check DUP". Either way, I've come up empty-handed.

Must concentrate.

Must finish reading whatever plays and profiles I've got, and well... we'll see.

Tuesday, August 16, 2005

Oh yeah.

I'm glad to say things are going spiffingly. (Er, is there such a word?)

As of this afternoon...

- a final format for the letter to our playwrights,
- a letter and a long-distance call to Ma'am Elsa Coscolluela (or at least, her secretary) in DLSU Bacolod,
- and best of all...


Sir Tony's okay for an interview on Monday, 9:00 am, at his house.

Another good thing: Sir Tony did happen by the Department, and did pick up the green package I sent him. He opened. He read. And had only one comment: I really didn't need to do two plays for one playwright. He advised me to drop the older play (Toreng Garing) in favor of the newer one (Elias at Salome: A Musical). He said, it was a much cleaner make.

*does a mini-victory dance*

So what I have to do now: read, read, read whatever plays I've already secured, much as possible secure the rest, come up with a good profile of Sir Tony, get myself and Papa's video-cam ready, get there on time, and hope & pray for the best.

Bristle, bristle, bristle. ^_^

Monday, August 15, 2005

Big Break

I have good news. and today is Monday.

As of Sunday, 5:00pm, I have finally confirmed an interview date with sir Floy Quintos: Saturday, 10:00am, Gurerrero front of house. Bring videocam.

Wow.

Up next for this week: a trip to Makati to the Palanca Foundation, a play consult with Ma'am Edna, and more thesis work.

*makes two thumbs up in the air*

Friday, August 12, 2005

Rain.

Today has been an emotionally-taxing day.

I'll just leave it at that.

Other than that, I finally got to give Sir Floy Quintos the letter and list of questions for the playwrights. Hopefully I'll recieve a response from him when Mama S and I go watch his musical. That's good.

Poor chap, he's lost his voice a while ago. Hope he's better.

The weather's getting to me.

Wednesday, August 10, 2005

Ganda ng update ko. ^_^

Magpapakabait na po ako. Pramis.

Kasi sayang na po ang oras na hindi koo nagagamit mg matino. Kung hindi ko pag-igihan ang pag-aaral ko, sayang din. Kelan pa ako makakatapos? Sayang ang kuwento.

Basta.
Magpapakabait na po ako.


Yesterday, I brought my iBook to school to continue working on the original St. Louis script. I also came to school to see if Ma'am Edna May was available for consultation, and if she was, I wanted to ask what happened to my play. and I find out... birthday po pala niya today. Demo, she won't come to school today. On the upside of things, at least she'll let me see her by Wednesday next week. That's good.

Last night, I finally got back to working on my notecards. Sayang din lang kung nakatiwangwang siya na parang naghihintay na ma-anay. Yak. Not good for a student working on her thesis.

And this morning, things have nicely begun to speed up. I've been constantly nagged for a whole weeek: I want to give Sir Floy Quintos a letter and a list of possible interview questions while he's still in the vicinty before I lose the chance to do so. I mean, he's practically been on the school grounds every show day since the St. Louis Loves Dem Filipinos Musical opened, and I'd be a dummy to not take the opportunity. So, I will. By Sunday, hoepfully he'll be around too, and we'll try to ask when I might have the chance to interview him at his convenience for my thesis. Let's keep our fingers crossed, folks.

Next on the long-should-have-been-done list, I call up Palanca Foundation and ask for Miss Babes, just like how Dean advised me to. Miss Babes sounded sweet and accommodating on the phone, and she was nice to help me out with what I needed. She told me she'd prepare a copy of Dong de los Reyes' Daungan... Laot... Daungan for me, and I could pick it up anytime soon. Just in case I came by after office hours, she'd leave the copy with the guard and I could just pay for it there. I also asked if it would be possible to ask how I might contact the playwright, and she told me she'd put in Sir de los Reyes' contact number in with the manuscript. Wow. That's... certainly nice of them. Honestly, I wasn't expecting the people at Palanca would be this nice, but wow. I'm thankful.

As for Sir Tony's package at his pigeon-hole, it's still there, despite the fact I heard Sir Tony's baritone voice in the loft of the Dulaang UP office discussing GABRIELA with Ma'am Jose. Sir Larry, the clerk at the Department, told me it'd be best to just let it be; he'd come 'round the Department sooner or later, see it, and pick it up.

So, there.

Monday, August 08, 2005

Mega Update

Truth be told, it's not really a humongously stupendous post, save for the facts that:

- I have finally secured myself a full copy of the original version of Sir Floy Quintos' play, ...And St. Louis Loves Dem Filipinos. And yes, I've already finished reading it through and through.

- I went to see the Musical version of above-mentioned play with my good friend Rosa, and we both got a kick out of it. I congratulated Sir Alex Cortez, the director, with a handshake, and Sir Floy Quintos with a great big hug. It felt good.

- I have finally finished my play and sent it to Ma'am Edna May's pigeon-hole, nicely ringbound and all.

- I thoroughly enjoy my current Phyisics lessons on lenses an vision. Yes oh yes I do.

- I've finally sent in a huge green expanding envelope to Sir Tony Mabesa's pigeon-hole containing... One: my letter addressed to him explaining what's happened so far with my thesis, a briefer of my new proposal, and permission to interview him on video; Two: a list of possible interview questions for him; and Three: a stapled copy of my new Thesis Proposal. God help us all.

- I've gone and checked at the Department with Kuya Larry the Clerk if either Professor stopped by and picked up and hopefully took a gander at their respective packages. As of late this afternoon, the answer is a Nay: Kuya Larry has not seen heel nor hide of Ma'am Edna May throghout the day (odd, considering she has three classes up for today, or so her schedule says), and Sir Tony is still busy as anything with his production in Angeles, Pampangga.

Which leaves me to wait.

On one hand, I am constantly nagged with the thought that if Sir Tony hasn't repleid to my letter in three weeks, I'll have to completely shift topics altogether. Oh Heavens no.

Then again, There's all that time on my hands to use well.

Ah-huh.

Sunday, July 31, 2005

Tatay ko yan!

This Sunday saw a couple of crests go through the family, with me and my Dad, at least.

But first, news on Papa: Just in case you subscribe to The Philippine Star, nadyaryo po ang Tatay ko!!!

I recieved news of this only later this afternoon soonest I got home from my bi-weekly meet with my Grandmother at Robinson's Galleria. So tayo, lakad, labas ng bahay, bili. Basa.

Tatay ko yun! ^_^*


The article's about my Dad, Joey Valenciano, as the Sitar Man. It talks about his experiences learning to master the instrument in India at the age of 19. ('Wag ka, he actually went lived there all by himself. O, kaya mo yun?) It also talks about what he loves so much about playing sitar, alongside his love for jazz. You can catch him playing Weekdays at Bollywood in Greenbelt 3, just in case you savvy some Indian dining and great music to boot. (Sige na, pagbigyan nyo nang i-plug ko dito ang tatay ko; blog ko naman 'to eh. ^_^)

You can catch the article on page 14 of today's Starweek Mag. Or, if you prefer cyber-ink, you can take a look here.

Tatay ko yun. ^_^*

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The other crest would have to be mine. Finally, after one month, nakaraos rin po: the second refurbished edition of my seventh (and good Lord, Final!) play is done. I technically exiled myself for one whole weekday yesterday just to finish the play, and yes, we are done. Fifteen pages all, sans Title page.

I had to show the manuscript to Mama S for editing and word choice fixes, and well, what can I say? The play got her thinking, and talking. I mean, I'm not sure if it has anything deeply philosophical or dramatic to offer, but in her own words, "it gives people something to discuss after seeing it". It's got her hooked, and well, if it has someone of her theatrical experience hooked, then I guess I've done my best.

Basta, masaya po ako.

Come Tuesday, I'llslip this manuscript into Ma'am Edna May's pigeon holeand listen to what she has to say about it. Then of course, ther'e still casting and rehearsals to think about, but let's worry about things when we actually get there.

Truth be told, I can feel the weight of the work slowly lifting off me, but I can still feel the heaviness none the less. Kung baga, Unbearable lightness. (Pasensya na po, Sir Milan Kundera.)

I just feel real good right now. Anticipating work with a steady head on my shoulders.

Wednesday, July 13, 2005

Another Side of the Stage

I find I may have to seriously re-think the way I handle my thesis.

A few days ago I ran into a good friend of mine, Kuya, John Lazam. As present, he's working on his MA thesis on the biography of Professor Tony Mabesa. After we exchanged pleasantries, we each asked how our respective theses were going. His was doing rather well, albeit a study subject with a flighty schedule( a directorial job in Pampangga plus rush alerts for tapings of a TV show). when I shared with him how my thesis had to ... progress in its own way, he advised me to include in my study The UP Playwright's Theater.

Why so?

One: The UPPT, as Kuya John briefed me on, is under the umbrella of Dulaang UP, as with Dulaang Laboratoryo.

Two: Sir Tony Mabesa himself found the UPPT. There's even a story to it. I'll try to look into it as soon as I can.

Three: It's here that Sir Tony has worked the most with Filipino playwrights, apparently.

Four: Nick Pichay's KOMEDI. KOMEDI presented three one-act plays directed by Sir Tony, and interestingly, the last one was written or tailor-made for Sir Tony. According to Kuya John who was there to observe the production process, the script went through a lot of changes over the discussions between director and playwright; the ending itse;f had come a long way from first writing to last.

What to do, what to do.

To be honest, the prospect of taking on more work in my thesis scares me. I mean, I imagine as my thesis stands there'll be many interviews to conduct, recorded plays to be viewed, scripts to be read, et al. With UPPT looming over the horizon, that will mean more work for the "In" box. On the other hand, this will mean if I pull it off well, my thesis will be comprehensive, seeing the direcotr-playwright relationship from both two sides of the UP theater spectrum.

I'm beginning to have this feeling that I owe it to my thesis to be comprehensive, even if it be the death of me. Which is good, in a way. It would be the right thing to do. I just wish it didn't sound so scary.

Sunday, June 26, 2005

The Long Wait.

Hello, everyone. It's good to be back, or at least some semblance of it.

Thus far... I'm glad to say I've finally submitted my new thesis proposal (with major modifications from the last hapless one)and abstracts, and finally completed that incomplete grade. Gld to be done, we are. ;)

At present, I'm still struggling about my play. (Thank you, Dean, I still think of you.) A different locale, a different, closer time, the addition of a third essential character, but still the same two main characters. For now, it'll still be the same story, but I hope I can manage to coaxe it into better form. Or at least, something better. Well, we'll see.

How does a research facility based in desolate Antartica in the year 2025 sound?

Friday, June 10, 2005

Winding down.

Hello everyone.

I've spent my late afternoon today here at the Library, researching, jotting down thesis notes on index cards. I must confess something: I beleive I work better here in the Library than at home. sure, there's my oft-undisturbed room with a crane-lamp-lighted study table, but I find the Library so much more conducive to working on scholarly, er, work. The General Referrence Section is a favorite spot: High white walls, large open space high and wide enough for people's thoughts to swim freely inside the room without bumping into each other. and the quiet. Oh yes, the quiet is bliss.

I've come across the thought of the director-playwright-production triad. What fitting image? Mommy Playwright, Daddy Director, and Baby Production? Or Mommy Playwright huffing and puffing ang pushing for all its worth with Doctor Director in Delivery Room saying "Just a little more, I can see the head" ?

Wala lang. ^_^"


I'm hungry. Need to head home and buy popcorn.

Thursday, June 09, 2005

Dear friends.

I am at a loss, and I am terribly in need of help.

Thus far in my research and my efforts to begin crafting a substantial thesis proposal for my new problem, I am continually stunted with wit the last question my adviser left me: What's you're angle? What do you want to find out about this study you're doing?

I've found how directors and playwrights work hand-in-hand (or at least, how they ought to) in Broadway productions in the States. It is, indeed, a collaborative effort: director and playwright sit down together and talk about the play. This happens before the director scribbles down his ideas on the script. As Harold Clurman in his book On Directing states, "As in marriage, there is a degree of uncertainty on both sides." They air out their understandings of the script, work out problematic scenes, change some parts if necessary, long as the finished product can manage to "work" onstage. It doesnt stop there. This goes on through rehearsals, even right until the production's first show. It's a process; it's gestation.

As in another book, "As a director, the first thing you must do is to simply do no harm. You are there at the birth of the play for clinical reasons." To paraphrase, it's up to the director to decide whether the child will thrive or suffer, live or die. And perhaps, the playwright is there, pushing pushing pushing for all it's worth.

At least, that's how I imagine it to be.

But still, oh still. That terrible question still drives me insane. What's my angle?

I've consulted with Ma'am Edna May for some possible angles I might take the thesis to. What about the fact that 77% of the plays Dulaang UP ever did wre foreign or western pieces, leaving 33% written by Filipinos? Could it be because, as Professor Amiel Leonardia mentioned in an interview I once conducted with him, there's a dearth of good Philippine material? That point, my adviser said, was debatable.

Or what about... considering most, or rather all of the sample Philippine Production pieces held the question of National Identity (Domingo Landicho's Toreng Garing and Elias at Salome: A Musical, Elsa Coscolluela's In My Father's House, Dong De Los Reyes' Daungan.. Laot... Daungan, Floy Quintos' ..And St. Louis Loves Dem Filipinos), could perhaps a collaboration with Director and Professor Emeritus Antonio Mabesa, what would this say of how they define National Identity?

And again, this was debatable.

Thus, I am at a loss.

I would most appreciate any kind of help from you. Suggestions, coments are most welcome. From one attempting scholar to another.

Wednesday, June 01, 2005

Lesson for the day.

Enlistment Day:

Be prepared to be made a fool of by primarily yourself, everyday.

Else,

Pag pinapagalitan ka,
shut up,
swallow your pride,
and goddamn well listen.

Saturday, May 28, 2005

Summer's End Very Soon

Hello, everyone.

The weather here at Cainta has been,,, how shall I say this? Fickle? Indecisive? Namby-pambyish? Everyday at late afternoon , the sky turns a sullen grey and lets loose a grumble-growl every now and then. It stays this way for an hour or two, keeping us mortals on uneasy tenterhooks, waiting for something final from the sky. It's that way unti early evening. Either that, or an unusually light drizzle to punctuate it all.

Yesterday found my purging my heavy purple plastic thesis "suitcase" of old material I didn't need to hang onto anymore. I've rearranged my suitcase proirities, entitled the good spaces for what and who matters for my thesis. The new topic has freed me to start from scratch. And it's good.

I'm currently combing through the first few chapters of Harold Clurman's On Directing, as I've found they prove yo be most helpful. Here I am, picking up and picking through the pieces again , and it feels good to find some choice pieces are bigger and and of better weight than most of the pieces I previously had to make do with. This book is certainly going into my Review of Related Lit list.

There's still a few more old, hard-bound books leased from my grandmother's library to peruse before the School Library opens, so there's still more work to be done. I must admit, it's been quite a while since I've felt like this. I can sense the whisker-tips of the creature called Fullfilment just a touch away from my fingers. Musn't tease, musn't coax, musn't frighten it away. Approach it will, pawed-step by soft pawed-step.

Wednesday, May 25, 2005

Good News! Good News!

I've just come from an advising session with Ma'am Edna May in the Department, and I am glad to say, we have progress. Personal progress, even.

For one, I've begun to take steps, small as they may be, to making this whole thesis and this whole idea MINE. That's good. It feels good, to finally start taking the reins on my thesis, and figuring out just where I start heading out to.

Ma'am Edna May has been real helpful today. We finally cleared it out that No, we will not be taking Sir Nick Pichay's Komedi, nor will we take Mario O'Hara's Palasyo ni Valentin for my thesis. Those already belong to Playwright's Theater, and we've limited ourselves to Dulaang UP productions, because it's University Theater. So there.

however, we shall add SirDng De Los Reyes to our list for Daungan...Laot...Daungan (as Sir Ogie told me, the play was given the alternative title Rehas sa Tubig when it was performed in the Metropolitan Theater.) Sir Ogie gave me a very helpful lead to finding and hopefully getting in touch with Sir De Los Reyes. I am to call up Palanca (as in the Palanca Awards Office of sorts) and ask them if they might lend me information and help me out with my thesis. Uh, Dean? Pretty Please? ^_^

Is beri gud. ;)

Saturday, May 21, 2005

Bull Session.

Mama S and I once more took to Gateway Mall and discussed my thesis proposal, a bit of play, and my status on both subjects of the previous requirements.

I have much to do.

Like ... ehem. Maghakot at maghalungkat ng mga lumang workshop/slaughter ng mga plays ko (lahat ng anim na plays, o kung ano man ang naitago ko pa). O pati bna rin i-type out ang mga notes na sinulat namin sa thesis ko, para maipresenta kay Ma'am sa Lunes nitong darating na linggo. Gudlak. Ayos ako.

Sa totoo lang, di ko na alm kung nasa akin yung mga kopya kong may sulat ni Ma'am. Dahil sa gusto kong makatulong kay Ate Diding (yung
occassional househelp na dumarating dalawang beses sa isang linggo) at pati na rin para malimutan ko na ang masaklap na kinahinatnan ng mga gawa ko, minsan ibibigay ko na lang ang mga "scratch paper" o sobrang mga sinerox na mga hand-outs o gawa ko sa kanya para maibenta niya sa ... sa... kung kanino niya kailangang ibenta. Sana lang po, di ko naisama sa tambak na yun ang mga luma kong plays.

Sa totoo lang, afreyd na ako.

This will mean a total change with my schedule, my priorities, my attitude. I can't afford to mope or take it easy anymore,; I'll have to workworkwork, and if Mama S or Ma'am Edna or -- Heavens! --- even Sir Tony suspects the smallest thing, of me resting on the job, I'm done for.

This will mean goodbye Tantra. At least, (with my fingers crossed in hopefulness) until I can rest assured I'm on the right track, or in between major thesis events. Kung baga, breather.

Sigh.

I'll tell you something... I sometimes feel I've, or rather, I'll never stop working. My work for first semester of 2004-2005 poured over to second semester, and so it went for my second semester. I took summer ST just to finsih the subject and earn the credits, and truth be told, I've already eaten up all the subjects on my course list. All I need to finish now are my Proposal, my Playwriting, and my Thesis Proper.

Then once I've graduated, it's off to work. Grown-up style.

A quote from Batch '72: College is the longest vacation you'll ever have before joining the workforce."

Monday, May 16, 2005

STS Fiasco!

And no, it wasn't a party.

Allow me to rant as things stand. Kai's hard work went down the drain; to the group's horror, the audio and video Kuya Ohm and Kuya Winter packed into the presentation didn't go. That, as well as other unsavory factors that I will not mention out of decorum was enough to bring our report down.

Buti na lang mabait si Sir Arcilla. After the report, he approached us and asked if everything was alright. He told us it was a good presentation. I'm glad. Bait ni Sir.

Kai soon got her bearings after a whole period of sadness, and cheered herself up a bit with the thought of a new haircut. Good for her.

Tuesday, May 10, 2005

Slip-ups and Tenterhooks

That. Was royally. Embarrassing.

I was supposed to arrive at 10 am at UP for a consultation with Ma'am ami regarding my decision for my thesis and what I ought to do with my thesis proposal. I was supposed to arrive at 10am, but by some confounded mess, I scrambled up the FC building into the Department by 10:45 am. Ma'am Ami had already warned me on text she had a lecture to give at that time. Not good, not good for someone who requested for the appointment in the first place. I had to catch Ma'am Ami, or at least listen to what advice she could give me before her audience started filling in.

Hurry, hurry, hurry, run, run.

I eventually did find her in PH 132, testing a DVD player for her lecture. She was very kind to accomodate me and my troubles, even for just five minutes. she listened, thought things over calmly. Her calm soothed me, and for that I am most grateful.

Then in came Sir Tony Mabesa, the downy tufts of his hair dyed chocolate, his huge chestnut-colored Chow Chow melting into the floor on a leash. Oh dear.

"Aba, how can you write a paper on me without interviewing me? Naku..." The ful, baritone voice and raised eyebrows mad eme want to crawl inside somewhere safe. Indeed, he had seen the posters for the colloqium, and that had been enough to raise his eyebrows. Ma'am Ami rose to greet him and assured him in a sweet, soft voice that "oh, it just a proposal." They chatted for a while, the she turned to greet Chiene, the Chow Chow. Sir Tony went back to reminding me of what ought to have done first, before "coming to me cold". Oh Lord. My fault. All I could do was smile and take everything, and keep paddling like crazy underneath.

I tried to assure him, "don't worry, sir, I'm working on it."
He replied, "No, I'm not worried; I'm appaled."

Again, smile, keep paddling.

Ma'am ami finally gave me her last words of advice for my thesis, and I had given my thank you's. I stood up and enede dropping my cellphone. Yes, the casing came apart, and yes, half the people in the room squealed. I picked it up and quipped "ah, it's survived worse", at the same time wishing it didn't end up another casualty for today's seeming streak of bad luck.

I turned to Sir Tony to pay my respects and say my goodbyes, I told him, "thank you Sir; I'm working on it." And he replied, "No, I don't believe you." All the same, I thanked him, and turned to leave. So did he.

The last thing I remember was hearing him ask where his chaffeur had gone to. Off I went, trying to quickly clear the area under the semblance of helloing to the other Theater Majors. I so wished for a snail shell to crawl into then and there.

Yes, your researcher has yellow streaks too.

And James had to cancel lunch today.

For now, the Science Building serves as a big-enough carapace for me, and I feel some level of safety here. It's scary to bump into Sir Tony again for today, really, but I hope it's not going to be like that forever.

Get a grip of yourself, girl. you already have enough real-time problems with your STS and your play and your thesis. Deep breath. Pick yourself up; walk it off.

Wednesday, May 04, 2005

Flying out the window

Boy, for some reason I feel my decision to stop and think my thesis over just zipped by me.

Saturday last week, Mama S called me up and asked if we could meet at Gateway Mall in Cubao to talk about my thesis and the colloqium results on that day instead of Sunday (she had requested so for safety measures lest a riot break out in the EDSA Shrine area where we usually had Mass.) So, ride I did to Gateway Mall, thesis materials, colloqium notes, and mindfullness in tow.

My preconcieved notions of Gateway had been right: it is the Podium of the Cubao area. The polished, well-lit interiors of the Mall gave that away to me, but more so the presence of what I'd consider to be upper-crust shops, like Fully Booked, Orange Juice, and etcetera.

I soon met my grandmother waiting for me on a table somewhere in the Foodcourt area (which had another clue: The two cheapest choices there were Burger King and Wendy's). After a quick trip to the washroom, we sat ourselves down and talked. fifteen minutes into our discussion, we had already arrived at a decision where I'd take my thesis: the thesis would be about Sir Tony's relationships with the playwrights of Filipino plays he's done.

Quite honestly, I didn't even know we were on the road, much less driving to somewhere.

I'm not sure if I should feel bad or sad about the whole situation, if I should say my own decision-making process was undermined, but then on the brighter side, at least I can consider myself "move three squares ahead" on the great thesis board game. It's just I'm feeling what I think is either mental inertia or mental elevator complex. (you know, when you ride an elevator going down, it finally does stop, but you feel like your brain's still up there and is trailing down back to you.)

With all things finally said, after a heavy Wendy's snack, we parted for home. Mama S took a jeep back to her little apartment in Betty Go Belmonte, and I trekked off to SM to pick up a Bodhi dinner.

I honestly still feel elevator inertia. The Sir Alex job is Bonamine to my head.

Friday, April 29, 2005

Account.

This little story happened this Tuesday, April 26, 2005.

I went upstairs to the Speech Department after STS class at around 3:00 or 4:00pm to catch Ma'am Edna. I had wanted to ask her (1)if she had read my Submitted copy of my thesis proposal, and/or my play, and if she had, (2)what she had to say about it/them. I found her behind the enclosed Kitchenette area, and I went to consult with her after she had finished her business with Marte Nerona, another Theater Major. I first asked her if she had read my thesis proposal. After all, I was able to submitted it by Friday of last week, before the recommended 2:00 cut-off time, as my co-researchers ha told me. She said no.

I then asked if she, by some chance during the time she was away, had already read my submitted play. This play has been the last of six ideas, five of which went down the drain during Playwriting class. I gave in a full copy and slipped it into her pigeon-hole about a month ago, before the second semester properly ended. And again, she said no.

I then asked her when might I or we as her Playwriting class might know what she had to say about our final pieces of work. She said sometime around June. That, or middle of July. Thinking about it, I think she also said we might start rehearsing middle of July or something like it. Which time went with what event, those were unclear.

And to think I had hoped I could graduate by middle of the incoming first semester. It's just rather disheartening you try to get yourself started and roll your sleeves up for work, and something like this happens. On another hand, James did tell me I could use the time to take care of my other subjects that need my attention. Like my thesis. Wise thing to do.


Take it in stride. This too shall pass.

Thursday, April 28, 2005

After the Colloqium.

Hello everyone. I've survived.

Yes, with merely three hours of sleep, a very upset tummy, buckets of sweat, nearly sleepwalking from the MRT Ortigas Terminal to Robiinson's Galleria, nearly getting run over by buses, nearly running into pedicabs and Ford Expeditions, I survived.

Oh, and I survived tripping on our front door.

But accident-proneness aside, the Colloqium went rather well, if I may say so. I had invited over two good friends from Grail as audience, Ruzella and Zenna. Speaking of audience, it was actually less intimidating than what I had first imagined. I was shivering at the very idea of around 30 people gathering to scrutinize our studies; the total head count n the room amounted to twelve, including reactors and presenters.

Joseph Cabrera was to go first, I second, and Raquel Regalado third, as she had to hurry from class. When my turn came, I tried to keep calm, speak clearly, and tried to keep things light and conversational yet professional. I'm glad it paid off.

I was surprised our reactors recieved my thesis rather well. It was very uplifting to hear what Sir Apoloniio Chua had to say, kung baga, nakakataba ng puso. He said he was very excited to see a study such as this happening, and he said I was confident, or at least I looked confident venturing into such a topic. Ma'am Ami Bonifacio-Ramolete said likewise; the problems very interesting as it was challenging, and it was courageous of me to take that direction. Dr. Belen Calingacion, the head of our Department, said it was high time someone did a scholarly study on our DUP directors, and she was glad I was going there, or at least I was starting this kinf of possibility. In a way, as I see it, it would also be like opening up a new avenue for academic papers on Dulaang UP directors and their aesthetics.

True enough, no study will be without its weaknesses, and so our reactors helped me by pointing out the parts where I could improve on, which ones ought to go where and which ones were not that necessary.

Now, I must decide where I want my thesis to go: either I choose to talk about the man himslef, or I choose to talk about his aesthetics. If I do choose to talk about his art(as Sir Apolonio has keenly observed my study was primarily heading into), I must have seen most of Sir Tony's productions as the plays, not just as recorded videos; if I were to rely solely on recorede material, it would not suffice to serve as material strong enough to support my paper. After all, videos are just secondary resources. On the other hand, should I choose to study the man himself, it might prove to be strong enough, as I can interview Sir Tony himself, as well as the people he has worked with in previous recent productions.

I find myself as thus: I wish I could say watching the videos may be enough for me, but the only plays I've really seen of Sir Tony's were Othello in 1992 and a portion of The Iceman Cometh last year. Not a good way to go. But Ma'am Ami and Sir Apo have suggested me two other options. I could either do a study on Sir Ton'y relationship with the palywrights of his plays (like Sir Floy Quintos with ... And St. Louis Loves Dem Filipinos), or his relationiship with his favorite actors(like my grandmother, Mrs. Sonia Valenciano.).

Hmm. Decisions, decisions.

Wednesday, April 27, 2005

Colloqium Day.

An hour from now, I am to present what work I have done on my thesis to a public academic body. I sit in one of the hole-in-the-wall internet-xerox shops in SC, my CD-burned powerpoint presentation, notes, and sanity tucked between my legs. The butterflies in my tummy haver not stopped drumming against its sides since this morning. I honestly do not know why.

Why am I so worked up? It's just a colloqium, after all. As my co-presenters say, it's basically just like presenting your thesis in class, only your audience is composed of a much bigger spectrum of the academe ( like Professors, doctors, MA students, and other students who are either about to do their thesis, are in the process of doing so, or who just happened to wander into the discussion room.)

In a nutshell, I'm particularly nervous over something I can't even put a finger on.

James is somewhere in the Library, perhaps, poring over more information he can use for his thesis, or somewhere outside having lunch. I'll be meeting him after the ordeal, so in a way, it's something good to look forward to, albeit something worth surviving.

Note to self: It's not. That. Bad.

We'll see.

Here we go, then.

Monday, April 25, 2005

Foibles.

Hello everyone.

It's been quite a while since I've been back here in the Library to do real, honest-to-goodness work. Man, it's good to be home.

As of late, I have happily closed mySpeech125 Incomplete, and recieved a a grade of 1.75 from Ma'am Calingacion. We are most grateful. ^_^

I am here in the Library for two reasons:

One: Sir Alex Cortez has sent me off to do a little job for him to help him a bit with his disseertation. Nopthing much, just a job of sniffing out certain articles and photocopying them. I've learned a few things of how the Periodicals Section works, like for how long a publication stays on the racks before it gets bound and sent to the archives to projected and turned into microfilm. Pretty handy information.

Two: I was supposed to finally get personal with the Theater Reviews I've accumulated over the past semester, and I found I couldn't press myself to go anyfurther. Call me silly, but I don't like making notes with a scraggly, faint ballpoint line. I prefer bold gel- or signpen-type ink when I do serious work. I don't know, I just feel sort of constricted or inhibited with the damn thing. Meh.

I know I can't be picky, but... well, to each his own. Right?

Friday, April 22, 2005

Closure of one.

Today, I have finally completed nmy Incomplete for Speech 125 (that's Traditional Philippine Oral Literature.) That means a compilation of 20 songs from the Kapampangan/ Cebuano/ Tagalog/ Pangasinese/ Gaddang/ Manobo with translations, and a term paper on the little-known novena antiphonal called the Tresahiyo. One down, Playwriting-Thesis Proposal-Thesis Proper to go.

One out of four isn't all that bad.

News: my Thesis/Playwriting Prof seems to still be out of town. This could mean two things: One, a delay with hearing what she has to say about my play, or Two, more time to digest my articles for the upcoming colloqium this next Wednesday. If I want to get productive, I'd best start thinking quick.

And another thing, the colloqium. They say it's basically something like presenting your thesis to the class on PowerPoint, only your audience has grown bigger. (try a presentation of the thesis to the public.) But, well, I don't know. I must admit I'm somewhat nervous of what could come out of this... Baka naman parang defense level na pala ito. My insides shudder to think what could happen.

So... best we prepare, ne?

Wednesday, April 20, 2005

The first.

Hello everyone.

I encode this first entry in the cool, glassed sanctum of the UP Main LIbrary's Computer Section. This my first academic blog entry. I bid thee welcome.

For now, the main reasons I can think of as to why you are here:

One: I have somewhere offered a link. by word of mouth or by cyberscript, to this place, and you accepted the invitation.
Two: you are my thesis advisor, and I have mustered up the courage to open up my progress to you, or
Three: for some unhallowed reason, you have gained access to my dashboard and may plot to either wreck havoc or restore order to this little attempted-scholarly space.

In the words of Neil Gaiman's Dream Lord: I offer you my hospitality and protection. Be you welcome in my house tonight.

Here, you may find contemplations, realizations, rants and raves, and the habitual progression of my thesis. I hacve taken upon myself to do a research written study on the directorial style of none other than Professor Emeritus Antonio Mabesa from 1975 to present, as partail fulfillment of the BA Program of Theater Arts. God-willing, I aim to finish this thesis and graduate no later than October. The earlier, the better, of course.

Here, yo may as well find musings on other subjects and their respective requirements that need finishing, doing over, and what have you. In a way, perhaps, this may be therapy I take upon myself. Incompletes and other college foibles are not to be ashamed of, long as you learn from them and do something about them quickly. Rehabilitation is ongoing.


I bid thee welcome.